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I’ll never curse Adobe again (probably)

There’s always been a part of me that has pondered what graphic design would have been like as a job pre-InDesign, Illustrator, Photoshop (or any other digital tools). This video from Sean Adams at Lynda.com walks through a typical layout job using the analog process.

And…no. Just. No. I would have lost my mind (or, at the very least, cut myself on the hour with an Exacto knife).

Montréal (or “my weight in poutine”)

Much like this time last year, I’ve just returned from the EdMedia World Conference, held in Montréal, Québec (providing me an opportunity to use accented characters frequently). Unlike the 2014 conference, though, I was not only an attendee this time but also a presenter since the brief paper Heather Hughes and I submitted was accepted and published in the proceedings. So, my favorite conference, my first published paper and my first trip to Montréal all in one go?

Most excellent.

For 2015, the conference was compressed (rather suddenly) to three days from four which lent a feeling of urgency to the schedule. Though they were intense days, they were also chock full of interesting sessions from presenters representing institutions around the globe.  Some highlights:

  • A different keynote speaker kicked off each morning and my favorite was certainly Tuesday’s: Jennifer Howell from Curtin University in Australia.  Her presentation focused on the sense of self one both creates and interacts with while navigating many different curated “selves” in digital spaces.  She raised the very good point that we become increasingly disconnected from our true selves as we spend all of our time tending to “best possible selves” across social media platforms and beyond. But she also called for recognition of this trend and the overarching reality of total inundation in media – both our own and others’ –  in our teaching and learning.  Her call to action for the attendees was to shift towards transmediated learning which she defined as “the convergence of popular culture, media, cultural studies, socially mediated connections, networks, technology and learning”.
  • An interesting trend across several conference sessions was commentary on working with indigenous populations. In fact, Monday’s keynote from Norman Vaughn (Mount Royal University in Canada) casually mentioned “A lot of you work with indigenous peoples…”. Another session attended was one on respectful research practices when dealing with these communities presented by a Canadian working in Australia with the Maori. There were more on the schedule, as well. While my initial reaction in the morning was “Do we?”, I actually took a lot away from that later session (presented by Michelle Eady from University of Wollongong) on research practices and realized that, yes, in fact we do something fairly similar when interacting with the diverse communities that make up the campuses and their surrounding regions.  I have a feeling the notes taken here will be called upon several times more.
  • I also really enjoyed learning about mobile and augmented reality tools in a session presented by New Zealand-based educational technology lecturer, Thom Cochrane. His was more a demonstration of the tools that have worked in his own teaching experiences – including examples of student work and hands-on opportunities – than a dry reading of a paper and was a great way to get things kicked off on Monday. I have plans to check out Wikitude for place-based projects with the Penn State Center and hope to find the right instructors at some campuses to try similar tools alongside travel abroad opportunities as they develop, especially for repeating campus trips (setting up past students’ AR map overlays would be a great resource for first time student travelers).

Oh, and that presentation. After getting used to presenting in 50-75 minute class periods, the reality of a 20 minute time slot is that it’s now so short. That is to say, the presenting was done before it even really felt like Heather and I had started. Lucking into a post-coffee break afternoon timeslot was a fantastic boon and the room was nicely filled-out and attendees were attentive. My favorite keynote speaker was even in attendance, which was a very nice surprise. Though time for questions was limited with the next brief paper presenters needing to set up while we tore down, a few good ones came our way from those in the audience and we hope to get more emailed to us once people have a chance to unpack what they learned last week (I know I’ve barely had time to do this just yet).

Download the Paper

Download the Presentation


More photos, as usual, on Flickr
 
Of course, I did get to spend some time out and about exploring Montréal, too. I kicked off a week of walking everywhere by strolling 7 miles out to Habitat 67, an amazing residential development leftover from Expo 67 (and still inhabited today).  From there, I made my first visit to Old Port and took in the life in the square in front of Notre-Dame Basilica – as well as taking in caffeine at the totally excellent Tommy café. On other outings, I found myself walking 400 steps up to the top of Mount Royal for the spectacular view, hiking a few miles over to Café Venosa, a new cat adoption center and vegan coffeeshop (that might be my favorite discovery) and eating my way through all of the poutine the city had to offer. (I can definitely say I now know where to find a three poutine “flight”, for instance…) Montréal was far more sophisticated and way more inviting than I ever imagined and I’m happy to have learned of yet another North American city that I wasn’t giving enough credit (the first being México City). Always good to know what’s in your own backyard…
 

Explaining a paradox

Kurz Gesagt (don’t feel bad – first I’ve heard of, too) has published a truly adorable look at the Fermi Paradox, something I find myself pondering more than is healthy. It’s really clear and informative and terribly cute, as well but it mostly caught my attention because of how much it reminded me of these animations from 2005’s take on The Hitchhiker’s Guide to the Galaxy:

Anything that can remind me of this gem amongst novels and its film adaptation…well, its creators must be “good people”.

(io9)

A Gulf Tower beacon I’ll be able to read

Gulf Tower Project

So, part of the Pittsburgh skyline that I’ve not really learned how to interpret is the Gulf Tower and its weather beacon lights.  I guess I’ve never bothered with learning their language because I just view them as “pretty” – and then check the weather app on my phone.

Anyway, the very same lights are about to get a whole lot more art-y – and a lot more phone-y – as Antoine Catala kicks off his Gulf Tower Project on February 11th. The installation will transform the building’s beacon into an Instagram-based mood analysis tool for the entire city, lighting up with progressively more red or green as software decides whether posts to the photo sharing channel are negative or positive in tone.

The final results will be part of Antoine Catala: Distant Feel at the Carnegie Museum of Art and is another part of the same Hillman Photography Initiative programming that brought the live premiere of the lost Warhol Amiga experiments documentary I attended back in May.  Should be cool stuff!

(via Engadget)

The generated book

It’s National Novel Writing Month, but for those of you less interested in human-generated works, the National Novel Generation Month might be of more interest. As The Verge shares, NaNoGenMo, a creation of Darius Kazemi, is about celebrating the best in creative narrative writing code, and there are some really compelling (if not entirely readable) works to be found in the GitHub repository. Below are a few of my favorites.

From Generated Detective #1:

a noir comic with Project Gutenberg text and magna-fied Flickr pics by Greg Borenstein

From Threnody for Abraxas:

Pro-tip from the author: The enjoyment of reading this work may possibly be enhanced if one imagines it narrated in the voice of, say, David Attenborough or James Earl Jones.

Elsewhere nearby, the amusingly European sculpture, whose perfect key is cynically surveying the transparent stick and an incredible junkie and the heart behind the classical image, is approaching the mouse-cheesecake and a homunculus under the taxicab. A partly rare escutcheon is leaping on top of an axiomatically salty disease. The tedious oyster is lauding the clementine, while a brain-flavoured après-ski is an extraneous easel.

The breeze is chasing the meaningless entrepreneur and the florid shin-bone, whose shoe is decaying smoothly on top of the spring and a rainy jug of baubles, while the fire extinguisher is curtly caressing a shaman. An iceberg is the robust servant. The shoe is surveying a gooey statue, which is forgiving an irascible ladle on top of a mannequin, inside the sword-swallower. A supersonically cynical quote is the comic book.

“a phantasmagoric Surrealist word/concept-painting” by Chris Pressey 

From Seraphs:

an automatically generated Voynich Manuscript style text by Liza Daly

From The Last Appetite:

Sun Dried Corn Grit Fettucine

Ingredients:
  • 310 milligrams of corn grit
  • 660 grams of clam
  • 20 grams of mango
  • 270 grams of mustard
  • 20 milligrams of mozzarella cheese
  • 240 grams of french toast
Method:

Stare at the corn grit and clam for 10 minutes. Broil the mango and mustard until a thick layer of mould forms. Marinate the mozzarella cheese and french toast until mushy. Contrive a fettucine. Chill overnight.

modernist cuisine recipes inspired by Nathan Myhrvold, created by Phil Lees

And so the tracking begins…

Grande Sicilia Rolls Out

I got word this morning that my Q3 has been loaded up. It will be making its Atlantic voyage via the Grande Sicilia and seems to have already left the German port of Emden. So, this whole obsessive tracking of the cargo ship thing is about to begin again.

I apologize in advance to those around me for how the next week or two is going to shape up.

Funded: a frame from the future

With just under a month still to go in its campaign, I’m happy to say that I’ve become one of the backers that have pushed the EO1 from Electric Objects well (read: 811% as of this morning) past its funding target.  It’s going to be a long wait until May 2015 when I can get my very own infinite-art-collection-in-a-frame.

Watch: Warhol’s lost experiments

I had the very good fortune of attending the debut of this latest episode of the Hillman Photography Initiative’s video series, The Invisible Photograph, over the weekend at the Carnegie Library/Museum of Art. The film is just 20 minutes or so long and covers the nerdtastic work of artists and retro computer boffins who extracted Andy Warhol’s mid-80s Amiga experimentations.

The event itself was both a screening of the above video and a panel discussion with Cory Arcangel, Golan Levin, Keith Bare, Michael Dille and John Ippolito – the latter being my favorite part as it was both deeply philosophical and extreme humorous. What’s more, some of the original Commodore engineers who were tasked with working alongside Warhol in preparation for the Lincoln Center Amiga reveal turned up in the crowd and shared amazing anecdotes.

Definitely check out the Hillman Photography Initiative via NowSeeThis.org.

Watch: “Do Digital Natives Exist?”

I can’t tell you the number of times that faculty (or my mother) have told me that they just don’t understand computers in the way that I do because they didn’t have them around for their entire lives.  I certainly understand the sentiment, but it really falls apart on closer inspection.  The first computer that I used (an Apple IIe) bears very little resemblance to the iPad mini I use to browse the web for videos like this one.  Those that are considered “digital natives” are forced to adapt just as much as those born before computers existed.  And they also need training and support on tools that they are unfamiliar with, just like anyone else.  So you can imagine my moment of “right on-ness” with this latest Idea Channel transmission.  What do you think?