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Explaining a paradox

Kurz Gesagt (don’t feel bad – first I’ve heard of, too) has published a truly adorable look at the Fermi Paradox, something I find myself pondering more than is healthy. It’s really clear and informative and terribly cute, as well but it mostly caught my attention because of how much it reminded me of these animations from 2005’s take on The Hitchhiker’s Guide to the Galaxy:

Anything that can remind me of this gem amongst novels and its film adaptation…well, its creators must be “good people”.

(io9)

A Gulf Tower beacon I’ll be able to read

Gulf Tower Project

So, part of the Pittsburgh skyline that I’ve not really learned how to interpret is the Gulf Tower and its weather beacon lights.  I guess I’ve never bothered with learning their language because I just view them as “pretty” – and then check the weather app on my phone.

Anyway, the very same lights are about to get a whole lot more art-y – and a lot more phone-y – as Antoine Catala kicks off his Gulf Tower Project on February 11th. The installation will transform the building’s beacon into an Instagram-based mood analysis tool for the entire city, lighting up with progressively more red or green as software decides whether posts to the photo sharing channel are negative or positive in tone.

The final results will be part of Antoine Catala: Distant Feel at the Carnegie Museum of Art and is another part of the same Hillman Photography Initiative programming that brought the live premiere of the lost Warhol Amiga experiments documentary I attended back in May.  Should be cool stuff!

(via Engadget)

The generated book

It’s National Novel Writing Month, but for those of you less interested in human-generated works, the National Novel Generation Month might be of more interest. As The Verge shares, NaNoGenMo, a creation of Darius Kazemi, is about celebrating the best in creative narrative writing code, and there are some really compelling (if not entirely readable) works to be found in the GitHub repository. Below are a few of my favorites.

From Generated Detective #1:

a noir comic with Project Gutenberg text and magna-fied Flickr pics by Greg Borenstein

From Threnody for Abraxas:

Pro-tip from the author: The enjoyment of reading this work may possibly be enhanced if one imagines it narrated in the voice of, say, David Attenborough or James Earl Jones.

Elsewhere nearby, the amusingly European sculpture, whose perfect key is cynically surveying the transparent stick and an incredible junkie and the heart behind the classical image, is approaching the mouse-cheesecake and a homunculus under the taxicab. A partly rare escutcheon is leaping on top of an axiomatically salty disease. The tedious oyster is lauding the clementine, while a brain-flavoured après-ski is an extraneous easel.

The breeze is chasing the meaningless entrepreneur and the florid shin-bone, whose shoe is decaying smoothly on top of the spring and a rainy jug of baubles, while the fire extinguisher is curtly caressing a shaman. An iceberg is the robust servant. The shoe is surveying a gooey statue, which is forgiving an irascible ladle on top of a mannequin, inside the sword-swallower. A supersonically cynical quote is the comic book.

“a phantasmagoric Surrealist word/concept-painting” by Chris Pressey 

From Seraphs:

an automatically generated Voynich Manuscript style text by Liza Daly

From The Last Appetite:

Sun Dried Corn Grit Fettucine

Ingredients:
  • 310 milligrams of corn grit
  • 660 grams of clam
  • 20 grams of mango
  • 270 grams of mustard
  • 20 milligrams of mozzarella cheese
  • 240 grams of french toast
Method:

Stare at the corn grit and clam for 10 minutes. Broil the mango and mustard until a thick layer of mould forms. Marinate the mozzarella cheese and french toast until mushy. Contrive a fettucine. Chill overnight.

modernist cuisine recipes inspired by Nathan Myhrvold, created by Phil Lees

And so the tracking begins…

Grande Sicilia Rolls Out

I got word this morning that my Q3 has been loaded up. It will be making its Atlantic voyage via the Grande Sicilia and seems to have already left the German port of Emden. So, this whole obsessive tracking of the cargo ship thing is about to begin again.

I apologize in advance to those around me for how the next week or two is going to shape up.

Funded: a frame from the future

With just under a month still to go in its campaign, I’m happy to say that I’ve become one of the backers that have pushed the EO1 from Electric Objects well (read: 811% as of this morning) past its funding target.  It’s going to be a long wait until May 2015 when I can get my very own infinite-art-collection-in-a-frame.

Watch: Warhol’s lost experiments

I had the very good fortune of attending the debut of this latest episode of the Hillman Photography Initiative’s video series, The Invisible Photograph, over the weekend at the Carnegie Library/Museum of Art. The film is just 20 minutes or so long and covers the nerdtastic work of artists and retro computer boffins who extracted Andy Warhol’s mid-80s Amiga experimentations.

The event itself was both a screening of the above video and a panel discussion with Cory Arcangel, Golan Levin, Keith Bare, Michael Dille and John Ippolito – the latter being my favorite part as it was both deeply philosophical and extreme humorous. What’s more, some of the original Commodore engineers who were tasked with working alongside Warhol in preparation for the Lincoln Center Amiga reveal turned up in the crowd and shared amazing anecdotes.

Definitely check out the Hillman Photography Initiative via NowSeeThis.org.

Watch: “Do Digital Natives Exist?”

I can’t tell you the number of times that faculty (or my mother) have told me that they just don’t understand computers in the way that I do because they didn’t have them around for their entire lives.  I certainly understand the sentiment, but it really falls apart on closer inspection.  The first computer that I used (an Apple IIe) bears very little resemblance to the iPad mini I use to browse the web for videos like this one.  Those that are considered “digital natives” are forced to adapt just as much as those born before computers existed.  And they also need training and support on tools that they are unfamiliar with, just like anyone else.  So you can imagine my moment of “right on-ness” with this latest Idea Channel transmission.  What do you think?

Re-engage with your practice

installationshot

“I think it’s possible to feel angry with the curator for not selecting a particularly excellent example of your oeuvre.” […] The game asks the question of how value is determined: not so much by the creator as by how the artwork is received by a community’s power brokers and the world at large.

Art Game by Pippin Barr aims to recreate the soul-crushing and challenging experience of creating visual work for the New York art scene.  I think it also speaks to the creator in all of us who has to interface with those that commission our efforts.

(via Hyperallergic)

Late…but so worth it

I’m glad creator Mike Ando was so patient with his dream of building the linking book from Myst.  As an ardent fan of the game and its sequels, I was beyond excited to see this story pop up on Wired – and the teenager in me flipped his shit while watching the video.  I’ll take one!